THE EYE WHICH WE DO NOT HAVE (Kate Brehm)- The Eye Which We Do Not Have is an eerie, yet powerful psychological tale about suppressed female desire told with puppetry and performing scenery. With a nod to Hitchcock, its cinematic style points to a constantly shifting perspective.

DOORS (Sara Outing)- Doors is an allegory about exhaustion and resilience, set among echoes and blueprints of the structures that keep Black Americans from being free. Tracking the journey of an ever-morphing central figure, Doors leaps across time and place to examine four centuries of displacement and survivorhood to find cues for rest, modes of resistance, and a vision for the future.