Newly created, a sex robot, tries to find out what it means to be a woman while trapped in a world created by her programmer, Pete, and his “Siri” device, Cora. Inspired in part by the composer’s own experiences in an abusive relationship during her formative years, and the works of Sci-Fi pioneers Isaac Asimov and Ursula Le Guin, this opera explores the idea of “womanhood” through the lens of someone new to the world, and desperate to find where she fits. Using electronics as an extension of the orchestration, the composer is able to pair certain sounds with certain characters and events, like a leitmotif, as well as make the production into an immersive soundscape.