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X-WR-CALDESC:Events for HERE
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DTSTART;TZID=America/New_York:20240630T133000
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DTSTAMP:20261016T022233
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SUMMARY:Five Ways to Die
DESCRIPTION:Five Ways to Die was written and composed by artists in Experiments in Opera’s critically-acclaimed Writers’ Room\, a program for composers and librettists that challenges the precedent of single authorship. Characters in these uproarious and wild stories–brunching assassins\, revolutionary rats\, a mom and daughter on a never-ending trip to the mall–die in a multitude of ways-by poison\, drowning\, or plague\, but they do so with a kind of grace and abandon that you could only find at the opera.
URL:https://here.org/event/five-ways-to-die-2/
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DTSTART;TZID=America/New_York:20240630T160000
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DTSTAMP:20261016T022233
CREATED:20240516T165443Z
LAST-MODIFIED:20240516T165443Z
UID:10080-1719763200-1719770400@here.org
SUMMARY:MAGDALENE: I AM THE UTTERANCE OF MY NAME
DESCRIPTION:From the creators of The Other Mozart: \nMagdalene: I am the utterance of my name \nApostle / Prostitute / Goddess \nWho is Mary Magdalene? \nSilenced as an apostle and framed as a prostitute\, Mary Magdalene’s character and story were manipulated in order to undermine women’s leadership centuries ago. Its effects still shape our reality today. \nMagdalene: I am the utterance of my name is a work of music-theater that illuminates the myths\, beliefs and contradictions that have surrounded Mary Magdalene for over 2000 years. Drawing from ancient texts\, artworks\, and contemporary writings\, the piece centers the revolutionary message from her banned and buried “Gospel of Mary Magdalene”\, lost for centuries. \nCreated by playwright\, director\, and actor Sylvia Milo alongside composer and percussionist Nathan Davis\, the complex work creates a prismatic image of Mary Magdalene that is revealed through seven apparitions. Milo embodies these archetypes as Davis performs his score live onstage using instruments both ancient and modern – hammered dulcimer\, harmonium\, sand\, and water – interweaving the sound design with field recordings from sites significant to the myths. A radiant video projection design by Monica Duncan\, movement direction by Janice Orlandi and choreography by Natalie Lomonte and Joanna Kotze expand the space — and our understanding of this essential story. \nEqual parts theater and ritual\, Magdalene: I am the utterance of my name is a transformative and spiritual experience that wrestles with flawed histories in an attempt to reach true transcendence.
URL:https://here.org/event/magdalene-i-am-the-utterance-of-my-name-2-2024-06-30/
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