ABOUT HERE
Since 1993, HERE has been one of New York’s most prolific arts organizations. Today, it stands at the forefront of the city’s cultural scene, producing and presenting daring, new, multidisciplinary performance experiences.
Our Mission
From our home in Lower Manhattan, HERE builds an inclusive community that nurtures artists of all backgrounds as they disrupt conventional expectations to create innovative performances in theatre, dance, music, puppetry, media, and visual art. By providing these genre-blending artists with an adaptive, flexible home for developing and producing their work, we share a range of perspectives reflective of the complexity of our city. HERE welcomes curious audiences to witness groundbreaking performances, responsive to the world in which we live, at free and affordable prices.
HERE strives to create an equitable, diverse, and inclusive home in which all people have fair access to the resources they need to realize their visions. We acknowledge structural inequities that exclude individuals and communities from opportunities based on race, gender, disability, sexual orientation, class, age, and geography, and seek to counter those inequities in our work. Through mindful actions on sustainability and regenerative practices, we work toward climate justice, and a safe, livable planet for present and future artmakers and audiences.
Our Story
Founded in 1993 by four artists — Kristin Marting, Tim Maner, Barbara Busackino, and Randy Rollison — HERE was envisioned as a welcoming, safe environment that could attract and launch a variety of artists. Since its inception, HERE has been home to such acclaimed artists and works as Eve Ensler’s The Vagina Monologues, Taylor Mac’s The Lily’s Revenge, Trey Lyford & Geoff Sobelle’s all wear bowlers, Young Jean Lee’s Songs of the Dragons Flying to Heaven, James Scruggs’ Disposable Men, Corey Dargel’s Removable Parts, Robin Frohardt’s The Pigeoning, Basil Twist’s Symphonie Fantastique, and Looking at You by Rob Handel, Kristin Marting and Kamala Sankaram. We have produced and presented over 1,200 original works; served over 15,000 artists; and welcomed over 1,000,000 audience members. HERE’s work and artists have received 16 OBIE Awards, 2 OBIE Grants and a CUNY Booth Award for artistic achievement, 2 Berilla Kerr Awards, 4 NY Innovative Theatre Awards, 2 Bessie Awards, 2 Pulitzer Prizes, 1 Pulitzer nomination, 6 Drama Desk nominations, 2 MacArthur “Genius Grant” Fellowships and most recently, 7 Tony nominations. HERE remains on “Best Off-Off Broadway” theatre lists across New York City. In 2005, with the support of the City of New York and the Lower Manhattan Development Corporation, HERE purchased its 9,000-square-foot longtime home with two performance spaces, a lounge, and gallery. With full-scale renovations completed in 2008 and 2011, thanks to significant support from the City of New York, HERE continues to stand as a pillar of the now burgeoning Hudson Square neighborhood.
HERE’s core annual audience consists of approximately 30,000 20-40 somethings. We produce work that is affordable, challenging and alternative—offering our audiences the opportunity to feel that they are part of something new and fresh. Key elements of our performance programming are designed to allow the public to have as many access points to the development of original art as possible through work-in-progress showings, workshop productions, post-show artist talkbacks, informal discussions in our café and full productions.
Jesse Cameron Alick
Jesse Cameron Alick is a dramaturg, producer, poet, playwright, essayist, artistic researcher and science fiction expert. Jesse has been working in the theater world for over 20 years, starting out as Artistic Director and Producer at independent theater Subjective Theater Company, then The Public Theater as Company Dramaturg, and most recently the Associate Artistic Director at The Vineyard. Jesse is an active freelance dramaturg in NYC, nationwide and internationally. He studied writing with Adrienne Kennedy and has taught theater courses, lectured at classes and mentored students at a myriad of programs, currently at NYU.
Photo by Maria Baranova
Annalisa Dias
Annalisa Dias is a Goan-American transdisciplinary artist, community organizer, and award-winning theater-maker working at the intersection of racial justice and care for the earth. She is a co-founder of Groundwater Arts and recently was director of artistic partnerships and innovation at Baltimore Center Stage (BCS). Prior to joining BCS, Annalisa was acting creative producer and a producing playwright with The Welders, a DC playwrights collective; and a co-founder of the DC Coalition for Theatre & Social Justice. Annalisa’s work has been produced or developed by arts institutions across the US and UK, and her artistic work has taken her to South Africa, India, Malawi, Arctic Norway, and more. Annalisa frequently teaches theatre of the oppressed and decolonization workshops and is a sought-after speaker about race, identity, and performance.
Photo by Maria Baranova
Lanxing Fu
Lanxing Fu is a Chinese-American, multidisciplinary theater artist rooted in social practice. She is a writer, producer, performer, and educator, and Co-Director of Superhero Clubhouse, an interdisciplinary collective creating theater for climate justice. Her artistic work has been seen throughout NYC in hotel rooms, parks, townhouses, and spaces such as The Public Theater, LaMaMa ETC, Brick Theater, LaGuardia PAC, and Baryshnikov Arts Center, and developed with institutions nationally and internationally. Previously, she was Producing Associate with SITI Company, guest lecturer at Skidmore College and is currently a guest director at Pace University. She has been a speaker and facilitator with Theatre Communications Group, The New School, Virginia Tech, Columbia University, and more. Her writings on theater, climate arts, and intersectional justice have been published across a variety of platforms.
Photo by Maria Baranova
Lauren Miller
Lauren Miller is a theater director, producer, arts advocate, community organizer, and fundraiser. She brings to HERE over a decade of experience in cultural advancement for The Bushwick Starr, the Irish Repertory Theatre, and TACT/The Actors Company Theatre and her passion for contemporary performance-based work. From 2011-2015, Lauren developed 20 original plays as producer of the newTACTics New Play Festival. She co-created “Out of an Abundance of Caution”, a socially distant performance experiment which streamed live on Twitch every Sunday from March 2020-March 2021. Lauren serves on the Board of Directors of The Brick Theater, as a co-organizer of the Cultural Solidarity Fund, and fundraiser and organizer for progressive political causes. She is dedicated to realizing the just creative ecosystem and economy that cultural workers and communities deserve.
Photo by Maria Baranova
Ariana Albarella
Ariana is an arts administrator, singer-songwriter, musician, and copy editor who is passionate about experimental new works. She is usually found discussing her deep love of corgis.
212.647.0202 x 312 | ariana@here.org
Sonia Kiran
Sonia Kiran is a graphic designer and educator whose work explores design justice, playfulness, and the natural world. Sonia can be found treasure-hunting for design inspiration at local gift shops throughout Queens, and Sonia’s visual archive can be found here.
Richard Stauffacher
Aside from being HERE’s Audience Services Manager, Richard Stauffacher (he/him) is an artist, teacher, musician, and ardent provider and consumer of baked goods.
212.647.0202 ext 330 | richard@here.org
Alex White
Alex (he/him) is HERE’s Bay Area born Production Manager. Aside from cultivating creative arts, Alex has a passion for cooking, spending time in nature, and traveling as often as he can.
Haley Fragen
Haley (she/her) is a Brooklyn-based theatre artist whose practice includes directing, performing, producing, and arts administration with an emphasis on accessibility. Haley is a proud Jewish woman whose passions include painting, interior design, and fostering dogs.
Ayumu Poe Saegusa
Ayumu Poe Saegusa is a lighting designer. He originally wanted to be a historian in Tokyo; however, he has been providing his lighting design to HERE for 15 years in New York. Life is so interesting and fun.
Dan Halm
Dan Halm is a New York based artist, curator, writer and surveyor of beauty. He has curated numerous exhibitions both domestically and internationally, including “UNEARTHED” (co-curated with Geo Gonzalez) at Rockelmann& (Berlin) which was named a critics pick by Artforum in 2016.
HERE's Board
Michael Champness (Treasurer)
Abigail Gampel
Tim Maner
Setareh Mirhosseini
Alan Ostroff
Paul Pinto
Kamala Sankaram (Secretary)
Brenna Thomas
Amy Segal
Robert Walport (Vice Chair)
Brian Warren
Jennifer Suh Whitfield (Chair)
Teresa Woods Pena
China Young
Tommy Young
Ex-officio
Barbara Busackino
Board Emeritus
Maria Baranova
Moti Margolin
Acknowledgement
HERE pays respect to the Munsee Lenape ancestors past, present, and future. We acknowledge that the work of HERE is situated on the Lenape island of Manhattan (Mannahatta) and more broadly in Lenapehoking, the Lenape homeland. We offer our care, gratitude and welcome.
Beliefs & Core Values
In this section we describe HERE’s beliefs and core values—the philosophy behind why we do this work, at this time, and its importance to the community and the world around us.
We support the unique visions of multidisciplinary artists of all backgrounds to make breakthrough work they couldn’t do on their own as they try to make sense of our culture and our times. We value their idiosyncratic voices, their eccentricity and eclecticism. Very importantly, we prize their diversity culturally and risk-taking in terms of form and content. HERE’s uniqueness and strength lies in the fact that we can be a place where all of these different voices can be experienced by a wide range of audience members. Through supporting innovative work that is responsive to our culture, we endeavor to push the field of performance forward.
We are an incubator and laboratory, responsive to the particular needs of a project, collaborative with and nurturing of the artist, developing within a community of their peers. In doing so, we produce ethically and partner equitably with artists to create their own processes through responsive and flexible resources.
We strive to create an anti-racist culture that values trust, promotes respect, allows flexibility, and accommodates people’s personal and professional needs and aspirations. We promote non-hierarchical collaboration, transparency, and open communication among staff, artists, board and audiences. Members of the staff, board and artists are all highly creative individuals, who represent a range of backgrounds, skills, and experiences. Above all, we carry the philosophy of symbiosis and nurturing — of board, of staff, of artists, of audience.
The ideas generated in our programs and spaces bring people together. We strive to create symbiotic interlock, a deep interplay between our artists, staff and partners (audiences, board members, supporters, and local community members). We endeavor to create a community in which, whether in the creative process itself or in the sharing of new work with audiences, our community is a major element in the equation — we do not support this work simply for its own sake. We want it to be full of content in order to engage in a dialogue with our audiences, while providing a welcoming and accessible experience to foster positive social and aesthetic encounters all at the same time.
We seek to become a green theatre and reduce our ecological footprint in our work. Through mindful actions on sustainability and regenerative practices, we work toward climate justice, and a safe, livable planet for present and future artmakers and audiences.
We integrate art into daily life and engage our community’s needs and interests on as many different levels as possible in order to ensure our regular presence in their lives. We encourage our audiences to believe, as we do, that there is value in an artist’s effort and exploration, rather than only the ultimate outcome or finished product through offering work-in-progress showings, workshop productions, post-show artist talkbacks, informal discussions in our café and full productions. We produce work that is challenging and alternative, offering our audiences the opportunity to feel that they are part of something new and fresh.
CURRENT OPENINGS: Please visit our Work With Us page for more information on open internships and staff positions.
HERE is an Equal Opportunity Employer who strives to create an equitable, diverse, and inclusive home in which all people have fair access to the resources they need to realize their visions. We acknowledge structural inequities that exclude individuals and communities from opportunities based on race, gender, disability, sexual orientation, class, age, and geography, and seek to counter those inequities in our work. Applicants from populations underrepresented in the theater field are strongly encouraged to apply. All qualified applications will receive consideration for employment without regard to race, color, religion, gender, gender identity or expression, familial status, sexual orientation, national origin, ability, age, or veteran status. We recognize that no one person will likely encompass all of the experience and qualities that we are seeking; thus, we welcome applicants with varied backgrounds, different applications of skills, and those who may not have conventional resumes.
Internships
Interns at HERE are at the center of the very busy operation of running a non-profit theatre organization and all producing activities. Although interns must specify an area of interest, they are asked to assist in other areas throughout the internship. Interns are often given the opportunity to work with HERE’s resident artists on their productions. They are also able see any HERE productions free of charge and have access to other perks that are made available to the HERE staff.
Planning a visit? Find more information here.
Updated: March 8, 2023
HERE is now a mask-optional space. All patrons attending HERE performances and events will no longer be required to wear masks.
We ask all audience members to please stay home if they have a sore throat, are feeling sick in any other way, or have been recently exposed to COVID-19, and to please contact the box office for refunds or exchanges.
All of our performers, technicians, and staff members are required to be fully vaccinated and masked unless they are onstage performing. Additionally, they are participating in an active testing regimen to keep everyone as safe as possible.
HERE reserves the right to revise protocols as the rate of transmission changes and in light of new scientific data that may present itself.
Want to learn more about HERE and share your work?
Our programming directors are happy to meet with anyone who wants to learn more about HERE and our programs. Please sign up for only one meeting based on the program you would be interested in.
Learn more and schedule a meeting here.
CONTACT
145 6th Avenue
New York, NY 10013-1548
Phone: 212.647.0202
Fax: 212.647.0257
Administrative Office: Monday-Friday, 10am-6pm
Box Office: opens at 5pm only on performance days, or 2 hours prior to curtain for matinees.
marketingdept@here.org
For information on renting space at HERE, please email rentals@here.org